Recent Articles

Recent Articles by Niamh Wallace

  • Hot Couture

    No, not the kind you get in a tanning booth

  • M*O*S*H

    Photogs braved the pit for first-wave images

  • Hiero-Learning

    The underground is where it’s always been

  • The Asia Syndrome

    Installation continues PAM’s love affair with the Far East

  • Brute Force

    NYC free spazzers may very well destroy Trunk Space

National Features >

  • Houston Press

    The Passion of Victoria Osteen

    A flight attendant's smackdown with the wife of mega-preacher Joel Osteen inspires a whole new set of commandments.

    By Rich Connelly

  • City Pages

    Your Field Guide to the RNC

    Today Denver, tomorrow the Twin Cities.

    By Matt Snyders and Bradley Campbell

  • The Pitch

    Star Power

    A country musician rescues Waylon Jennings' tour bus from the scrap heap.

    By C.J. Janovy

  • Village Voice

    Serrano's Second Movement

    The provocateur who brought you "Piss Christ" pinches off a new concept.

    By Lynn Yaeger

Edifice Complex

Home is where the art is for Phoenix photog

By Niamh Wallace

Published on January 10, 2008

Abandoned houses are always creepy, but there's nothing more disconcerting than driving by your old childhood abode and seeing a stuccoed monstrosity, an empty lot, or the crumbling squalor of a meth lab. The punch in the gut that follows is unexpectedly severe, even if the change is as innocuous as a hideous new paint job. Local photographer Aaron Abbott explores the gap between what we remember as home and the physical reality that remains in his current show, which features large-scale diptychs of several structures in Phoenix, Tucson, and Globe that can only resemble home in the memories of those who once lived in them.
Fridays, 5-9 p.m.; Saturdays, 1-5 p.m. Starts: Jan. 11. Continues through Jan. 26, 2008



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