Blogs
Fri Sep 5, 4:25 PM
Fri Sep 5, 11:10 AM
Fri Sep 5, 11:26 AM
Thu Sep 4, 8:04 PM
Sat Sep 6, 6:31 PM
Sat Sep 6, 12:29 AM
Fri Sep 5, 10:38 AM
Fri Sep 5, 9:49 AM
Recent Articles
Recent Articles by Mark Keresman
Worried Well
(Polyvinyl)
Volume 1: Frozen Ropes and Dying Quails
(Yep Roc)
A Table Forgotten
(Drag City)
Downsville Blues
(Blue Witch)
No related articles found
National Features >
SF Weekly
A blogger steals someone else's life story and calls it her own.
By Ashley Harrell
Westword
How William Orr's quest for better, cheaper gas became a crime.
By Alan Prendergast
Miami New Times
The family of a dead judge blames a creeping fungus in the federal courthouse.
By Tim Elfrink
The Pitch
I worked at Kmart with John McCain's director of strategy.
By Alan Scherstuhl
Destroyer
Trouble in Dreams
(Merge)
Published on April 24, 2008
For decades, critics have been leveling such denunciations as arch, portentous, heavy-handed, and precious at rock music. Destroyer's Dan Bejar has managed to turn those denunciations into attributes. His vocals feature mannerisms that we'd usually find annoying in our U.K. cousins: feyness, enthusiastic offhandedness, melodramatics, self-importance, and smugness. (Think: Bowie, Suede, and Robyn Hitchcock at their archest.) Then why is Trouble in Dreams so darn appealing in a "guilty pleasure" manner? Perhaps it's because Bejar realizes and delights in his righteous anger ("I've been living in America in churches of greed/It's sick!" he sings in "Dark Leaves Form a Thread") and over-the-top whimsy ("I gave you a flower because foxes travel light and a penny for your thoughts was never enough," he proclaims in "Blue Flower/Blue Flame"). Bejar's beguiling, bittersweet melodies are rich with a comforting, melancholic feeling, featuring sighing, crystalline guitars, elegantly billowing synthesizers, and loping, world-weary tempos, while his warble has just a touch of theatrical self-awareness.