National Features >

  • Riverfront Times

    Prized Fighter

    Boxing in St. Louis will never die--not as long as Kenny Loehr has a kid in the ring.

    By Kristen Hinman

  • Miami New Times

    Budget Ballin'

    South Florida's lawless exotic rental car industry keeps rolling.

    By Gus Garcia-Roberts

  • Houston Press

    Crime Doesn't Pay Back

    In Texas, restitution for victims is nothing but a state-sanctioned sham.

    By Chris Vogel

  • Seattle Weekly

    Hot and Frothy

    If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.

    By Jonathan Kauffman

Brute Force

NYC free spazzers may very well destroy Trunk Space

By Niamh Wallace

Published on June 11, 2008 at 4:05am

The bigger the better, yes, but size often has less to do with physical heft than the amount of space one is able to confiscate by sheer noise power. We're sure they're all skinny Brooklynites, but Chubby Behemoth's expansive disregard of stage boundaries and tendency to steamroll every venue it plays truly validates its name. Songs like “Miscommunistation,” “Totally Fucking Chelsea,” and “300 Flies” forgo melody in favor of really loud, multilayered discordance, courtesy of an impressive arsenal of instruments such as guitar, drums, violin, saxophone, keyboard, and contrabass. From the way the guitarist appears to have a seizure mid-performance, it's a metaphysical experience. They'll be abusing audiences verbally and sonically for about a month on an aggressive touring schedule, including the Trunk Space.
Sat., June 14, 7 p.m., 2008


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