Recent Blog Posts
Fri Nov 21, 3:05 PM
Fri Nov 21, 2:49 PM
Fri Nov 21, 2:49 PM
Thu Nov 20, 11:51 AM
Fri Nov 21, 1:23 PM
Fri Nov 21, 12:18 PM
Fri Nov 21, 8:00 AM
Fri Nov 21, 5:58 AM
Recent Articles
Recent Articles by Saby Reyes-Kulkarni
No related articles found
National Features >
SF Weekly
You won't believe the California wine industry's latest new-age craze.
By Joe Eskenazi
Westword
They lived for excitement, but the FBI got the final thrill.
By Joel Warner
Seattle Weekly
Chuck Bundrant built an unlikely seafood empire--with a little help from Alaska Senator Ted Stevens.
By Laura Onstot
Village Voice
How a benevolent billionaire mayor ended up owning us all.
By Wayne Barrett
Ra Ra Riot
Published on September 24, 2008 at 11:59am
When guitarist Milo Bonacci started Ra Ra Riot at Syracuse University in 2006, he was looking to put together a classical-tinged rock band that could stir up dramatic moods but also get a dance party started. On its just-released debut, The Rhumb Line, Ra Ra Riot strikes a fine balance between both and also straddles the line between indie rock aesthetics and pop hooks. Cellist/vocalist Alexandra Lawn and violinist Rebecca Zeller, in particular, provide an array of inventive touches that are, by turns, up-front, subtle, piercing, dark and bright. Meanwhile, drummer Cameron Wisch adds sparkling new dimensions to disco-styled rock drumming by recalling the classic work of U2's Larry Mullen while adding his own unique flair. Like Mullen, Wisch does far more than just keep the beat. He provides complex, crafted drum parts that become essential to the song and even contain hooks unto themselves. Finally, vocalist Wesley Miles underscores the various moods with obvious references to Morrissey and Television's Tom Verlaine yet still manages to give the music a strikingly original feel.